Now, looking at those pages, I can clearly see the influence of the Greece colors and palettes that I was observing during my morning, day or evening sketching trips around the area. Moreover, it will be interesting further to compare those to the ones I will make during my stay in Latvia… Follow along #100daysofinnerart
Most of July 2017 I am based in our Latvian countryside house nearby Kadaga / Adazi.
This month is dedicated to regaining my own balance, reconnecting with my own past, clearing out old books and papers, exploring my family roots and mental traveling through time…
As a follow-up to the Time Perspective Network meeting in Potsdam, I’m collaborating with Marc Wittmann on a paper: Orientation to the present and future and its role in pro-environmental behaviour and sustainability.
I’m continuing to work on the #100daysofinnerart project, which I have decided to exhibit during the art festival in Tunisia later this August.
I’m coming back to the idea of creating something out of my father’s music collection of over 4000 tapes and various other objects from the Soviet times – Blast from the Past. Contact me if you have any ideas or museums that might be interested in this!
Working on the second leg of the Indvielsen project – stay tuned to see the new portraits!
End of July – beginning of August, I’m traveling with my mom to her home town – Chelyabinsk, Russia – to spend some time with my aunts and cousins and their kids.
I am available for giving workshops on how to deal with culture shock and using creativity as a resource. I would be thrilled to develop a tailored talk / workshop regarding time, creativity and your field of interest.
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Find out more about me on my about page
Page was updated in July 2017.
This year I am joining #the100dayproject with #100daysofinnerart. For now it is an exploration of my emotions on a particular day. I also observe what catches my attention that day, what is the greater context and transform that mix into abstract paintings. So far it has been an interesting journey to see how the brushstrokes change, which brush I tend to use and what are the dominant colors in the palette.