Creative Rendezvous: Discovering Kandinsky through Live Music |March 13, 2019

This spring I’m inviting you to revitalize yourself in a creative and artistic way.

Join this unique Creative Rendezvous session on March 13, where we will be discovering the fascinating world of Wassily Kandinsky and creating your own masterpiece accompanied by live music. No previous experience in arts is needed.

Kandinsky (1866-1944) was a Russian painter, graphic artist and art theorist. It would not be an underestimated statement to call him the Father of abstract modern art. During the workshop we will concentrate on a few aspects of his creative process. Besides his work in visual arts, he had a passion for music, poetry and theater. He himself played the piano and the cello, wrote verses and scripts.

We will look into some of his work where he connected visual and audio modes, we will discuss the process of seeing sounds, the synesthesia. We will talk about his work with Schoenberg. We will see some bits of the Kandinsky’s performance Pictures at an Exhibition – a music piece by Mussorgsky, which was created under a strong impression of the Viktor Hartmann’s exhibition.

This constant dialogue between the different artistic domains is what interests me the most. This inner connection and cross-inspiration. That is what I would like to explore more during the workshop. As the culmination of this, we will touch upon Kandinsky’s Synthesis of Arts and performance The Yellow Sound.

After this introduction I will propose a few exercises where we will be interpreting different sounds and music using our own impressions, envisioned colors and forms.

This is going to be a unique experience, since for this session I’m collaborating with Alex Choub from Bassworks, who will perform live for us during the workshop. Alex is a composer, teacher, producer and performing musician with 6-string bass ‘touch style’ technique.


I will provide the following materials, but you are welcome to bring your own as well:

  • white paper
  • colored paper
  • pastels / crayons
  • scissors
  • glue

Tea, coffee and light snacks are offered during the workshop.

We are really looking forward to bring in the music and colors together with you in some kind of unity and boosting your creative energy this spring!

Practical information:

  • March 13, 2019
  • 16:00 to 18:00
  • Get your ticket here


  • Rantzausgade 34a,  st. tv
  • Ring: Det Blaa

Bartholomäus Traubeck – Years

A record player that plays slices of wood. Year ring data is translated into music, 2011.

A tree’s year rings are analysed for their strength, thickness and rate of growth. This data serves as basis for a generative process that outputs piano music. It is mapped to a scale which is again defined by the overall appearance of the wood (ranging from dark to light and from strong texture to light texture). The foundation for the music is certainly found in the defined ruleset of programming and hardware setup, but the data acquired from every tree interprets this ruleset very differently.

More info here

Trip to Tunisia – March 2017

My field study trip to Tunisia was very inspiring and full of unexpected discoveries. What struck me the most was the light – it is something very special there. The sky seems to be so high and the light is amazing. It’s hard to explain what is it exactly about it. So if you’re curious, I just invite you to visit Tunisia and see and experience it yourself.

I am considering to organize a Finding Creative Flow – a sketching and writing trip to Tunisia later on this year, possibly in October – November. Join my Newsletter to get the first notification about it.

I was happy to study a bit before the trip about the journey that  Paul Klee and August Macke took in Tunisia back in 1914. It gave me a few hints what to look for and where.

I have visited Testour and saw the clock that goes backwards. Spent a memorable day in Dougga exploring the Phoenician and Roman architecture. The way they built houses, streets, baths, and of course, the mosaics.

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Inspiration: Eduardo Chillida

I have stumbled upon Marion Deuchars’ Draw Paint Print like the Great Artists in Glyptoteket’s book shop I believe. I really liked it since from the quick look it had a variety of different techniques in it. And I’ve been exploring the book and the artists featured in it since then.

This time I was completely absorbed by a whole new world that has opened up for me – the world of Eduardo Chillida (1924-2002). I must say that I can’t remember if I heard anything about him until now, I probably had, but it didn’t really stay in my memory. I am very thankful to Marion for including this artist in her book! Not only I had loads of fun first coloring the proposed shapes in the book and later trying out my own cut outs, but also I was mesmerized by Eduardo’s work.

Here are a few examples, but a simple google search will reveal a whole new universe.

I’ve read what I could find on internet about him. A Spanish Basque and mostly known for his monumental sculptures. I will explore what the local library has to offer to get to know more about him and his work. From a very quick look I was struck by two of his projects in particular.

The Basque Liberties Plaza, Vitoria-Gasteiz, Araba, Spain – I would really like to go there and experience it.

Monument to Tolerance, Fuerteventura

Made by Arup in Mount Tindaya on Fuerteventura, one of the Canary Islands. From the photos I’ve found I somehow started to think about the Fifth Element movie… It definitely goes on my “wish-to-visit” list. Although I’m not sure if the island itself has any authentic places left or it is all devastated by the tourist industry…

Just returning from the study tour with DIS students to Berlin made me very aware of the effects architecture can have. And “Chillida’s original idea was for visitors to experience the immensity of the space” made me very curious about this piece.

The wikipedia also mentions an interesting encounter between Chillida and Heidegger: “Heidegger wrote: “We would have to learn to recognize that things themselves are places and do not merely belong to a place,” and that sculpture is thereby “…the embodiment of places.”


I was hoping to find some kind trace of this dialogue in print. However, not much is available in English. There is the original book in German and actually a translation of it in Danish. I’ll look around more, maybe I can find it in in some other language that I know better, but for now it goes into my “to read” list.

Here are some of my exercises on the Eduardo Chillida theme:

I’m currently reading Saramago’s The Cave and am trying to imagine the Center that he describes in the book and I think my further cutouts are really somehow intertwined with the book..

Then I tried to explore how Chillida was working more with the white space:


and here is my take on it:


but it was somehow difficult for me, then I rearranged the cutouts and spontaneously this version came out, which I still don’t know how it should be – vertical or horizontal..

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