Dear friends and colleagues,
With great delight I am inviting you to a little exhibition of my recent art project: Letting Go.
December 9 at 18.00
Ryesgade 4, Copenhagen N
The exhibition will continue throughout the month of December till the beginning of January 2023. In case you can’t make it to the opening, I would be happy to meet with you personally and have a “private view”
Hope to see you for a little gløgg and a chat!
kind regards,
Anna
The exhibition time in Tunisia is getting closer. I will be presenting some of my art projects in FESTIVAL INTERNATIONALDES ARTS PLASTIQUES DE GAFSA – TUNISIE – «Session Jugurtha» in late August this year. 100 days of Inner Art is going to be one of them.
Here are the pages I was working on during my art retreat in Latvia in July.
During my art retreat stay in Greece at Stavrianna Natural Farm, where I was hosting Finding Creative Flow course, I also continued to work on my art project – 100 days of Inner Art.
Now, looking at those pages, I can clearly see the influence of the Greece colors and palettes that I was observing during my morning, day or evening sketching trips around the area. Moreover, it will be interesting further to compare those to the ones I will make during my stay in Latvia… Follow along #100daysofinnerart
Memory: the space in which a thing happens for the second time.
~ Paul Auster
The Book of Memory
Back in February 2017 I was reading Paul Aster’s: The Book of Memory and many things there have triggered my own memories and interpretations. Somehow it really triggered particular memories from one of the places we used to live in Riga. Maybe because it was the longest time ever I lived in one place without moving – for 15 years we managed to stay in one place. Otherwise it was and still is a constant change.
Memory as a room…
This year I am joining #the100dayproject with #100daysofinnerart. For now it is an exploration of my emotions on a particular day. I also observe what catches my attention that day, what is the greater context and transform that mix into abstract paintings. So far it has been an interesting journey to see how the brushstrokes change, which brush I tend to use and what are the dominant colors in the palette.
Creative Time Studio 